Robert Sitton,
Lady in the Dark: Iris Barry and the Art of Film (New York:
Columbia University Press, 2014).
from the publisher:
"Iris Barry (1895–1969) was a pivotal modern figure and one of the first
intellectuals to treat film as an art form, appreciating its
far-reaching, transformative power. Although she had the bearing of an
aristocrat, she was the self-educated daughter of a brass founder and a
palm-reader from the Isle of Man. An aspiring poet, Barry attracted the
attention of Ezra Pound and joined a demimonde of Bloomsbury figures,
including Ford Maddox Ford, T. S. Eliot, Arthur Waley, Edith Sitwell,
and William Butler Yeats. She fell in love with Pound’s eccentric fellow
Vorticist, Wyndham Lewis, and had two children by him.
"In
London, Barry pursued a career as a novelist, biographer, and critic of
motion pictures. In America, she joined the modernist Askew Salon, where
she met Alfred Barr, director of the new Museum of Modern Art. There
she founded the museum’s film department and became its first curator,
assuring film’s critical legitimacy. She convinced powerful Hollywood
figures to submit their work for exhibition, creating a new respect for
film and prompting the founding of the International Federation of Film
Archives.
"Barry continued to augment MoMA’s film library until
World War II, when she joined the Office of Strategic Services to
develop pro-American films with Orson Welles, Walt Disney, John Huston,
and Frank Capra. Yet despite her patriotic efforts, Barry’s
“foreignness” and association with such filmmakers as Luis Buñuel made
her the target of an anticommunist witch hunt. She eventually left for
France and died in obscurity. Drawing on letters, memorabilia, and other
documentary sources, Robert Sitton reconstructs Barry's phenomenal life
and work while recasting the political involvement of artistic
institutions in the twentieth century."