2016 Design Show Selected Entries -American Association of University Presses

2016 Design Show Selected Entries





Four Penn State University Press books selected for AAUP design awards.
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Penn State University Press
Posters for Peace: Visual Rhetoric & Civic Action by Thomas W. Benson
Designer: Brad Norr
Production Coordinator: Jennifer Norton
Art Director: Jennifer Norton –

Penn State University Press
Posters for Peace: Visual Rhetoric & Civic Action by Thomas W. Benson
Designer: Brad Norr
Production Coordinator: Jennifer Norton
Art Director: Jennifer Norton - See more at: http://www.aaupnet.org/events-a-conferences/book-jacket-and-journal-show/2016-show-information/2016-design-show-selected-entries#sthash.D2iATOrX.dpuf

Penn State University Press
Posters for Peace: Visual Rhetoric & Civic Action by Thomas W. Benson
Designer: Brad Norr
Production Coordinator: Jennifer Norton
Art Director: Jennifer Norton - See more at: http://www.aaupnet.org/events-a-conferences/book-jacket-and-journal-show/2016-show-information/2016-design-show-selected-entries#sthash.D2iATOrX.dpuf

Penn State University Press
Posters for Peace: Visual Rhetoric & Civic Action by Thomas W. Benson
Designer: Brad Norr
Production Coordinator: Jennifer Norton
Art Director: Jennifer Norton - See more at: http://www.aaupnet.org/events-a-conferences/book-jacket-and-journal-show/2016-show-information/2016-design-show-selected-entries#sthash.D2iATOrX.dpuf

STOP! Which Came First?

 

Stop Sign with Santorum bumper sticker. Near a Wegmans supermarket, State College, Pennsylvania, January 2016.

 

"Stop War" poster, silk screen, Berkeley, California, c. May 1970, from Thomas W. Benson Political Protest Collection, Special Collections, Penn State University Libraries and Thomas W. Benson, Posters for Peace: Visual Rhetoric and Civic Action (University Park: Penn State University Press, 2015).

When is the last time you saw a STOP sign decorated with an addition that constituted it as a political slogan? The "Stop War" poster shown above was part of the peace movement at the University of California, Berkeley, in May 1970, after the Cambodia invasion and the shootings at Kent State. Did the poster prompt others to add words to STOP signs, or was the poster artist inspired by a practice that was already ongoing? I can't remember, though it seems to me I saw STOP WAR on public STOP signs around the country at about that time, and perhaps before.

The STOP SANTORUM sign in the photograph above refers to and is a relic of the presidential primary campaign of 2012, and it was still there this week when I took the photograph -- January 2016.

It seems to me that the tone of these STOP WAR alterations was at the time somewhat transgressive, suggesting not only an appeal to peace but an act of resistance by defacing what is, after all, government property and a sign of government's regulative power. As the years have gone by, that cluster of rhetorical suggestions seems to me to have dimmed somewhat, with the worldwide spread of graffiti. Altering a STOP sign is still illegal, and so still formally an act of resistance or at least of exclamatory, even imperative, appeal, but the power has been diluted by use and context. STOP sign defacements are no longer the property of the Left, though probably most of such uses are anti-establishment in context and appeal. One has often seen, for example, Ron Paul, and now Rand Paul defacement of traffic signs. Are we all anti-establishment now?

See also http://nyti.ms/1Lrhss3 "Why Can't the GOP Stop Trump?" March 3, 2016.

Posters for Peace - CHOICE Outstanding Academic Title 2015

CHOICE has named Posters for Peace: Visual Rhetoric and Civic Action as an Outstanding Academic Title for 2015. Here is the review from CHOICE.

doi: 10.5860/CHOICE.192804
CHOICE November 2015 vol. 53 no. 03
Outstanding Title!
53-1124 DS559 2014-40914 CIP

Benson, Thomas W. Posters for peace: visual rhetoric and civic action.
Pennsylvania State, 2015. 214p bibl index afp ISBN 9780271065861 cloth, $69.95

[CC] Through an extended essay and 66 color plates of peace posters from the Penn State University Collection, Benson (rhetoric, Penn State) explores the visual rhetoric of political protest posters originating from the antiwar movement in Berkeley, CA, circa 1970. As he writes in his introduction, he examines “antecedents, contexts, and forms” to identify ways in which the posters communicated to audiences within their historical and rhetorical contexts. The historical context is particularly well explained in an accessible and concise review of the antiwar movement and the particular events of 1970 and their impact on Berkeley. Benson also explores the history of the political poster as a rhetorical medium, providing valuable insight into why this particular medium found such vibrant political expression at this time. The historical material Benson offers is as valuable as his rhetorical scholarship. The essay gives readers insights into the meanings that the artists and their audiences found in 1970. The plates alone are worth the price of the book, making the volume as a whole valuable for readers interested in art, pop culture, and Vietnam War–era politics as well as visual rhetoric. The Pennsylvania State University Press should be applauded for its care and investment in this valuable work. Summing Up: Highly recommended. Upper division undergraduates through faculty and professionals; students in two-year technical programs.

--J. E. Frost, University of Texas at Brownsville
Copyright 2015 American Library Association

Sanders and Kennedy?

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From the very outset, it has appeared that Bernie Sanders might win with the same sort of crossover appeal that Robert Kennedy seemed to have in 1968, before he was assassinated. Kennedy appealed to a broadening group of liberal and progressive voters (though some still resented his entering the race after Eugene McCarthy had demonstrated the vulnerability of Lyndon Johnson). Oddly, Kennedy also appealed to many disaffected George Wallace voters and might have built a coalition who saw him as a genuine speaker of the truth.

Bernie Sanders seems to be exercising much the same appeal, and might in the general election attract the support of some who are now considering Donald Trump or Ted Cruz.

That is not to say that if Hillary Clinton were the general election nominee she would lose, as did Hubert Humphrey in 1968 (to Richard Nixon). But similar forces are in some ways at work. On the other hand, a Sanders nomination might turn out something like that of George McGovern in 1972--resulting in a landslide for Richard Nixon.

"Robert F Kennedy crop" by derivative work:Robert F. Kennedy appearing before Platform Committee, August 19, 1964.jpg: Warren K. Leffler. This is a retouched picture, which means that it has been digitally altered from its original version. Modifications: Cropped and artifacts removed. Modifications made by Elcobbola. - Image: Robert F. Kennedy appearing before Platform Committee, August 19, 1964.jpg. Licensed under Public Domain via Commons - https://commons.wikimedia.org/wiki/File:Robert_F_Kennedy_crop.jpg#/media/File:Robert_F_Kennedy_crop.jpg

Choice names Posters for Peace among Editors' Top Community College Resources

Choice has named Posters for Peace as among "Editors' Top 75 Community College Resources" for November 2015.

"Within the wider academic community, the number of two-year colleges is growing nationwide, and Choice is poised to help the libraries on these campuses, where much of the work revolves around three main challenges: how to help students learn; how to improve academic and program performance; and how to promote innovation."

from Atlantic Photo: Fifth Avenue Then and Now

This is worth a look -- a fine set of images.

Alan Taylor, "Fifth Avenue Then and Now, a Century of Streetviews in NYC." Atlantic Photo. January 6, 2015.

"The New York Public Library has recently released even more digitized images from their vast collection, including more than 180,000 in the public domain. While browsing, one of the first collections I came across was a book published in 1911, titled Fifth Avenue, New York, From Start to Finish, with wide-angle streetview photographs made by photographer Burton Welles more than a century ago. I thought it would be fun to revisit those same locations using Google Maps Streetview images from today, to see what differences are visible. Some views look remarkably unchanged, while others are completely unrecognizable. The images are stacked on top of each other—unfortunately they never quite lined up enough to make use of my then-and-now fader widget. (Adding a note: I just discovered that the NYPL made their own wonderful then-and-now viewer for this same set of images.)"

When the Frost Is on the Pumpkin | The New York Public Library

Public Domain Collections: Free to Share & Reuse | The New York Public Library

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection, The New York Public Library. "When the Frost is on the Pumpkin, Berkshires, Mass." New York Public Library Digital Collections. Accessed January 6, 2016.
http://digitalcollections.nypl.org/items/510d47d9-a0e5-a3d9-e040-e00a18064a99

President Obama on Gun Violence January 5, 2015

President Obama on Gun Safety January 5, 2015